Ân Oán Thành Ngõa Trì Tập 1/2/3/4/5/6/7/8/9/10/11/121/3/14/15 , Phim Ân Oán Thành Ngõa Trì-VTV2 Tập 1-2 Cuối trọn bộ tap cuoi tập 16/17/18/19/20/21/22/23/24/25/26/27/28/29/30 Ân Oán Thành Ngõa Trì
Phim Ân Oán Thành Ngõa Trì VTV2 Thuyết Minh
Tập 38
Tập 38-a
Scene 1:
Location: Marriage venue
sumitra along with the other mothers of the brides, come upto their respective son in laws and start performing the initial rituals of the marriage with Megha telling the viewers about the importance of each ritual as it progresses. Sumitra is overwhelmed at the memory of jagiya’s marriage but is supported by dadisa and told to proceed further. Finally gehna and ghuli make anandi and shiv sit on the front bench and after the others are seated too, The program begins.
The Mc announces from the stage about the artists who would be coming in to perform now to applaud the step taken in by the CM for the girls of their village. A series of song and dance items follow. Everybody is thouroughly enjoying the cultural programmes. The MC then calls the CM on the stage to express his feelings. Amidst thunderous applause, he comes on the stage and says that he doesnt come in up as CM but as the father to all these girls who are getting married. He thanks all the grooms for their support to this cause and especially shiv and anandi without whose support this would not have been possible. He applauds them for being so supportive to a mass marriage when both belonging to affluent families could have had a huige and pompous function for themselves. Finally wishing all the couples a lifetime of happiness, he concludes his speech.
Scene 2:
Location: Jaitsar haveli.
After another minor ritual to test shiv’s strength, which megha again tells about, shiv and anandi along with their families, come on the mandap. Just then, a commotion follows due to a confusion between two groups about the same name of the groom. Finally, the daughter’s father is pacified when he sees the right groom with that name. This sends a wave of laughter among the crowd and everybody is instructed jokingly to marry the correct partner and leave if they have to as its the last chance before they are tied forever. As instructed by the priest, the VARMALA ceremony starts. Mahi asks shiv to hold his head high so that anandi is not able to put the garland around his neck, but he simply complies to ananadi by bowing his head in front of her to help her place the garland. As she puts it around his neck, mahi comments that he would forever have to bow now before anandi. But alok says thats its worthwhile when you have a wife like anandi. Then when shiv’s turn comes, ghuli pulls anandi back and swing her to and fro so that shiv is unable to put the garland around his neck. But he manages to finally complete the ritual. the screen freezes on their happy faces.
Underlying Message: Mass marriages are an aware effort to bring about a sense of social maturity. This ritual of remarriage brings about a new wave of awakening in the society.
tập 38 b
Location: Marriage venue and jaitsar haveli
After the VARMALA ceremony is complete, while the pandit prepares for the next ritual, the CM takes a round of the entire venue. Jagiya watching the live telecast of the mass marriage has tears in his eyes seeing anandi getting married.
Meanwhile amidst the jovial atmosphere, mahi says that now shiv getting married, has cleared his line to settle down with a nice girl, he says he’s not doing it for himself but to keep anandi company. sumitra retaliates jokingly that sanchi is there for that and he doesnt have to sacrifice himself for that. The pandit then announces BYAHI PHERE ritual. Megha gets a village lady to explain it to them and the viewers. Sumitra and gehna from the bride side and ira from the groom’s side come forward for this ritual. when the pandit calls for another lady from the groom’s side, meenu hesitates and instead sends sanchi. But the pandit says only daughter in laws can take part. Both dadaji and shiv then coax her to leave the fear of her participating as a bad luck aside and help ira with this ritual. Along with the other mother- in- laws, they too perform this ceremony. after that the ladies from both sides engage in a mini tug of war in which sumitra and gehna succeed in getting ira to their side. Dadaji too credits the win to the good food available in the villages that urban people like them miss out on.
Scene 2:
Location: Marriage venue
The pandit then announces the kanyadaan, which mohan in his jovial way preguesses. When the prents for the bride are called forward, all look at khajan. But he refuses saying that he’s no longer in the capacity to do so. And that her true parents are now sumitra and bhairo. They then proceed forward to do anandi’s kanyadaan. Mohana and megha again in their playful attitude ask each other about the meaning of the circles around fire that they took. She says she remembers them partially. They look for a pandit to explain it to them once again.
scene 3:
Location: Jaitar haveli
Jagiya looking at the function on tv, remembers how he had married anandi when they were kids and had been fighting with each other. He comments that she had been different and unique then too, it was just his problem that he didnt realise and when he did, it was too late. The screen freezes on his sad face.
Underlying Message: When a relation breaks, only memories of it remain behind to reminiesce. The tears hence give vent to the inexplicable pain that the heart bears.
Precap: Shiv and anandi complete the other rituals of the marriage, like PHERE and SINDOOR. Both dadisa and sumitra are overwhelmed with emotions. The pandit pronounces them husband and wife.
Scene 1:
Location: Marriage venue
sumitra along with the other mothers of the brides, come upto their respective son in laws and start performing the initial rituals of the marriage with Megha telling the viewers about the importance of each ritual as it progresses. Sumitra is overwhelmed at the memory of jagiya’s marriage but is supported by dadisa and told to proceed further. Finally gehna and ghuli make anandi and shiv sit on the front bench and after the others are seated too, The program begins.
The Mc announces from the stage about the artists who would be coming in to perform now to applaud the step taken in by the CM for the girls of their village. A series of song and dance items follow. Everybody is thouroughly enjoying the cultural programmes. The MC then calls the CM on the stage to express his feelings. Amidst thunderous applause, he comes on the stage and says that he doesnt come in up as CM but as the father to all these girls who are getting married. He thanks all the grooms for their support to this cause and especially shiv and anandi without whose support this would not have been possible. He applauds them for being so supportive to a mass marriage when both belonging to affluent families could have had a huige and pompous function for themselves. Finally wishing all the couples a lifetime of happiness, he concludes his speech.
Scene 2:
Location: Jaitsar haveli.
After another minor ritual to test shiv’s strength, which megha again tells about, shiv and anandi along with their families, come on the mandap. Just then, a commotion follows due to a confusion between two groups about the same name of the groom. Finally, the daughter’s father is pacified when he sees the right groom with that name. This sends a wave of laughter among the crowd and everybody is instructed jokingly to marry the correct partner and leave if they have to as its the last chance before they are tied forever. As instructed by the priest, the VARMALA ceremony starts. Mahi asks shiv to hold his head high so that anandi is not able to put the garland around his neck, but he simply complies to ananadi by bowing his head in front of her to help her place the garland. As she puts it around his neck, mahi comments that he would forever have to bow now before anandi. But alok says thats its worthwhile when you have a wife like anandi. Then when shiv’s turn comes, ghuli pulls anandi back and swing her to and fro so that shiv is unable to put the garland around his neck. But he manages to finally complete the ritual. the screen freezes on their happy faces.
Underlying Message: Mass marriages are an aware effort to bring about a sense of social maturity. This ritual of remarriage brings about a new wave of awakening in the society.
tập 38 b
Location: Marriage venue and jaitsar haveli
After the VARMALA ceremony is complete, while the pandit prepares for the next ritual, the CM takes a round of the entire venue. Jagiya watching the live telecast of the mass marriage has tears in his eyes seeing anandi getting married.
Meanwhile amidst the jovial atmosphere, mahi says that now shiv getting married, has cleared his line to settle down with a nice girl, he says he’s not doing it for himself but to keep anandi company. sumitra retaliates jokingly that sanchi is there for that and he doesnt have to sacrifice himself for that. The pandit then announces BYAHI PHERE ritual. Megha gets a village lady to explain it to them and the viewers. Sumitra and gehna from the bride side and ira from the groom’s side come forward for this ritual. when the pandit calls for another lady from the groom’s side, meenu hesitates and instead sends sanchi. But the pandit says only daughter in laws can take part. Both dadaji and shiv then coax her to leave the fear of her participating as a bad luck aside and help ira with this ritual. Along with the other mother- in- laws, they too perform this ceremony. after that the ladies from both sides engage in a mini tug of war in which sumitra and gehna succeed in getting ira to their side. Dadaji too credits the win to the good food available in the villages that urban people like them miss out on.
Scene 2:
Location: Marriage venue
The pandit then announces the kanyadaan, which mohan in his jovial way preguesses. When the prents for the bride are called forward, all look at khajan. But he refuses saying that he’s no longer in the capacity to do so. And that her true parents are now sumitra and bhairo. They then proceed forward to do anandi’s kanyadaan. Mohana and megha again in their playful attitude ask each other about the meaning of the circles around fire that they took. She says she remembers them partially. They look for a pandit to explain it to them once again.
scene 3:
Location: Jaitar haveli
Jagiya looking at the function on tv, remembers how he had married anandi when they were kids and had been fighting with each other. He comments that she had been different and unique then too, it was just his problem that he didnt realise and when he did, it was too late. The screen freezes on his sad face.
Underlying Message: When a relation breaks, only memories of it remain behind to reminiesce. The tears hence give vent to the inexplicable pain that the heart bears.
Precap: Shiv and anandi complete the other rituals of the marriage, like PHERE and SINDOOR. Both dadisa and sumitra are overwhelmed with emotions. The pandit pronounces them husband and wife.
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